Category — Grand Dames

Not too far from the energy of the Airport Business Park and Shiloh’s Wal Mart and Home Depot is Faught Road. It’s only a couple of miles long, but it’s miles away in space and time from the urbanizing 101 corridor. This classic farm house on six acres is architecturally pleasing on many levels. The three dormer roof lines echo the larger gable and break up the roof plane. The wrap around porch makes a symmetrical division of the house height and creates blocks of space that comes close to fitting into the “golden ratio” that has always been a pleasing shape. The house itself from the peak of the gable to the width of the entire structure is also close to the golden ratio.

The photograph to the right uses color masks to show the way the house’s design is a series of golden ratios. The use of these proportions is probably an unconscious element on the architect’s part; just good design that pleases the eye.

I headed up to Occidental where I needed to get pictures of some of the Italian style family restaurants for an article Wild Jane is writing on the main sonoma.net site. I made sure to get photos of both the Union Hotel and the classic Howard’s Cafe two blocks up the street. The Union Hotel is a whole complex of buildings including a pizzeria, saloon, ballroom, and a residence at the end of the street. I had mentioned a few posts back how gates can be used as inviting features within a longer property divider. This mixed residental and commercial fence is a useful reminder that in a town with busy restaurants and saloons, the good citizens living next door probably want some peace and quiet.

There isn’t a residential break apart from the driveway in this long fence. It’s a fairly elegant “stay out” sign. There is, of course, a pretty gate into the restaurant’s courtyard and a driveway gate for the residence.

Howard’s Cafe is a beautifully converted residence with great original detailing on the lower and upper covered porches and eaves. It’s a lovely spot and one of my favorite breakfast hangouts on Sunday when I can get away. If you get a chance to stop by, have a look at the detailing on the upper porch beam where they echo the post-top detailing in the middle of the span. It’s a nice touch that you absolutely won’t see in production building today. Of course, you’re not there just to look at the architecture. The food really is great.

The builders also created a very intricate detail at the eaves that’s a little busy for my taste, but it’s certainly a great example of what pattern books, the power saw and an abundance of wood made possible. Sort of like desktop publishing in 1986…too many fonts, colors, and styles, but hey, see what I can do.

The Potter Schoolhouse in Bodega is one of the few remaining buildings from Alfred Hitchcock’s filming of “The Birds”. It’s been a schoolhouse, bed and breakfast, and private residence. I’m a fan of the simple symmetry of the building with the round-top windows, corner columns, and octagonal tower. It’s a timeless building without the gingerbread of a Queen Anne or the stripped down plainness of the Craftsman style. There are a couple of other buildings in Bodega that I really like.

This simple residence features dramatic yellow painted quoins which are elements that were traditionally used to imitate how stone walls meet at corners. These wooden quoins are common in buildings of the late 1800’s and appear in everything from a Italianate to a Queen Anne to this plainer example. One of my favorite fixers on North St in Healdsburg shares this detail.

The final gem on my trip was this attractive two story, two porch farmhouse behind a white picket fence. The eaves, porches, and windows all have nice detailing that is highlighted by the simple horizonal siding. The relatively steep, hipped roof and arched windows make this a good example of an Italianate style building. Just outside the picket fence is this old weathered sign which probably proclaimed this as an inn or commercial establishment. Now it’s a great example of the forces of nature on human construction.

My first significant earthquake came while I was sitting on an under-construction deck in Berkeley. The deck, still unbraced, stood still while the house it was attached to swayed pretty vigorously. It was an interesting demonstration of Newton’s Law that a body at rest tends to stay at rest unless acted on by an outside force. That same earthquake that couldn’t twitch my deck was strong enough to move parts of California a few inches North and knock down stone walls.

Structural engineers have studied earthquakes and their effect on structures and can make just about any building designed today both safe and durable in an earthquake. Sadly, some of our most beautiful building materials are terrible choices for earthquake country. I did a quick walking tour around Railroad Square in Santa Rosa today and was admiring the many older buildings that featured stone and brick. The Hotel La Rose is a beautiful stone building of three stories that was built of locally quarried basalt in 1907, a year after the big quake in San Francisco that also knocked down much of Santa Rosa. Just around the corner from the hotel is the Jacobs building. Lots of tenants have occupied this building and Capri, one of our favorite Italian restaurants, was on the ground floor. We still miss Luigi.

The clinker brick facade of this Railroad Square landmark has a wonderfully authentic color and rustic feel and that isn’t achievable with stucco, wood, or any of the faux masonry products that get glued onto the exteriors of buildings today. So the answer to the question, “Why do earthquakes suck” has to be that they deny us some of the traditional architectural materials that have been around for millenia. It’s still possible to design with brick appearance as the JC parking lot attests, but that’s a public works job with a mega budget. For the average residential and commercial builder, real stone and real brick are expensive ornamentation devoid of any structural significance. Thanks a lot, earthquakes…

Healdsburg has a great collection of Victorians downtown. Matheson St, a main artery to the Healdsburg plaza, has both modest and large examples of what are often called painted ladies. Martin Humphrey’s current listing is an interesting opportunity since it includes not just a Victorian with classically good bones, but five extra units on the .43 acre lot. I want to talk about TIC (Tenants in Common) in a future posting, but Martin has some ideas about how this property could be structured for either multiple ownership, or a single owner who fixes the Victorian to live in and uses the five other units for rental income. In any case, have a look at the show and give me a call if you’d like to see this gem.

I was looking for a multi-unit building for sale on Morgan Street in Santa Rosa last week when I came across a beautiful round porch. If you’re new to my blog you probably don’t realize that I’m a lover of architectural details in general and round porches in particular. Round porches represent a powerful expression of carpenter art and talent that isn’t matched by many other details. This porch includes a wonderfully constructed curved wall pictured here. Sonoma County real estate includes many round porches, particularly in Healdsburg. Next time you’re walking in your neighborhood, see if you can spot any curved porches or other sweet architectural details. I’d love to hear from you if you find something you love.

Some see ruin, failing brick foundation, peeling paint, sagging floors, and throw up their hands in despair. I see classic lines, the pride of the original designer and builder, and the heart of Healdsburg location. I have loved this house since I first saw it twenty years ago, and it has been sad to witness her slow and avoidable deterioration. There has been the occasional paint job slapped on the great lady to hide and slow the aging process, but gravity is working it’s will. Without the prompt intervention of a new owner to repair foundations and roofs, it will be even harder to save her.

On the positive side of the ledger, she is now in the hands of someone who wants to sell. The house is on a very big lot and the potential to subdivide the lot can help underwrite the high initial cost of purchase and rehab. I am eager to help a restoration-minded buyer acquire this landmark property.